To get to Ikitsuki, I had to take an additional two buses, one to Hirado and then transfer to another one that would take me across the Ikitsuki bridge to the island. Looking out the window, there were tons of terraced fields filled with standing rainwater - amazing considering this is a pretty rocky island with a scarcity of flat land. I missed my bus stop though and had to walk back a ways to get to the museum, glimpsing the Ikituski Daikannon statue along the way.
Bridge connecting Hirado and Ikitsuki
The 納戸神 (room in the back)
マリア観音 (Maria Kannon)
I came back down and was soon launched into a very thorough PowerPoint presentation by the museum director. Surprisingly, I could follow along most of it, even though I haven't read half of the Japanese research on Kirishitan as I should have. He caught me off guard a couple times, asking me what I thought about certain academic interpretations of the Kirishitan, but I somehow came up with a reply (whether he was satisfied or not, I don't know). Then he asked me if I wanted to interview a Kirishitan right then and there. Once again, I wasn't 100% prepared, but I was able to have a 40ish-minute interview with a 39-year-old daughter of a Kirishitan family, who no longer had a community to practice with but certainly valued her own Kirishitan faith. (This time, I got a tape recording whoot!) The professor at Nanzan told me I should have direction in my questions and make a special effort to ask follow-up questions if I really wanted the information I wanted. Overall, I think I did okay with probing around, although I hesitated on some questions because they could have been offensive (mostly to do with the current Catholic church...). Hearing her personal experience was pretty moving - when she was talking about the rituals not being practiced anymore, her eyes turned red and watery, and I thought she was about to cry. Respect for ancestors is certainly key to explaining why people continue the Kirishitan faith, but to me, this faith provides them with something spiritual as well, even today.
I guess that interview was a test because afterwards, the director met with me to discuss who I would want to interview and said he would also ask my most recent interviewee about the content of my questions. In my interactions with the director, I think he expected me to be more assertive/descriptive about my research, but again, he was a pretty nice guy.
Farm country
生月大魚籃観音 (Ikitsuki Kannon0
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